2016 – 2026

Ten editions in

A hundred and ninety cedis short on the first one and thirty-two thousand people through the gate on the ninth. Here is all of it, the bad years included.

Previously

on Chorus

Streamers and confetti over a festival crowd at golden hour

Chorus 2023

Confetti falling through white stage lights over an audience

Chorus 2024

A crowd with hands raised in warm light in front of the main stage

Chorus 2025

2016 to 2025

Ten editions,

including the bad ones

2016

A compound off Oxford Street

Eleven bands, two hundred and forty people, one Saturday and a loss of ninety cedis. Every band asked when the next one was.

2017

Two nights, and a generator that failed

Nine hundred through the gate and forty minutes of silence on the Saturday. We bought a second generator before we bought anything else.

2018

The first outdoor site

Moved to a field in Labadi. Yaw Prempeh played his first festival slot to about ninety people and a rainstorm.

2019

Three days for the first time

Four thousand people and the year we started paying every act within ten days, which has held since.

2020

The year there was none

Cancelled in June and refunded in full by July. We spent the autumn recording eleven sets in an empty hall and put them out free.

2021

Back, smaller, outdoors only

Two thousand capped, all outdoors, and the first Palmwine stage — which was only ever meant to be a stopgap.

2022

Black Star Square

The move that changed the festival. Eleven thousand across three days and the first year we broke even.

2023

Half the bill new

The rule became a rule rather than a habit. Twenty of forty slots to acts who had never played a festival.

2024

The Late Room

One room, doors at eleven, no printed lineup. It sold out in nine days and has done every year since.

2025

Thirty-two thousand

The delay towers went in, the sound complaints stopped, and the ninth edition was the first to sell out before the lineup was announced.

10

Editions since 2016

40

Acts on the 2026 bill

32

k

Through the gates last year

210

Crew and stewards on site

Older than the festival

The rhythms

came first

Fontomfrom is a royal ensemble and kpanlogo came off the streets of Ga Mashie in the sixties. Adowa is older than anyone can usefully date. Every one of them is still played every week somewhere in this city, mostly at funerals, mostly by people nobody has ever put on a poster.

Highlife came out of those rhythms meeting brass. Hiplife came out of highlife meeting a drum machine. Afrobeats and drill came next. That line runs unbroken through every stage on this ground, which is why the Drum Circle is free and paid at the same rate as the main stage.

Dancers in kente kneeling mid-routine at a street festival
Masked dancers in raffia moving through a village square

Highlife

Afrobeats

Gospel

Drill

Palmwine

Hiplife

Fontomfrom

Kpanlogo

Highlife

Afrobeats

Gospel

Drill

Palmwine

Hiplife

Fontomfrom

Kpanlogo

We publish

what went wrong

Every February we put out a note covering the year's accounts, the acts we paid and when, the incidents on site and the things we got wrong. It is not required of us and no other festival in this country does it. We started because the year the generator failed we owed people an explanation, and we have not found a good reason to stop.

Kwame Ofosu, festival director

Early-bird passes

close on 30 September

Weekend passes go up by eighty cedis at the end of September and the Late Room sells out every year before the lineup is even announced.

Confirm your place