27–29 November 2026 · Jamestown, Accra · Third edition

Echo

Three days of live music, ideas and making on the old harbour wall. Six stages, forty-eight artists, and a town that stays up.

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A festival-goer with an afro and bright green eye make-up against an orange ground
A smiling man in a printed T-shirt photographed against a pink ground
A man with an afro lit by coloured stage projections
A woman with red and black braids looking straight to camera
A drummer in a yellow smock holding a djembe
Six stages · Forty-eight artists · Late sets until four · Workshops all weekend · Six stages · Forty-eight artists · Late sets until four · Workshops all weekend · Six stages · Forty-eight artists · Late sets until four · Workshops all weekend · Six stages · Forty-eight artists · Late sets until four · Workshops all weekend · Six stages · Forty-eight artists · Late sets until four · Workshops all weekend · Six stages · Forty-eight artists · Late sets until four · Workshops all weekend · Six stages · Forty-eight artists · Late sets until four · Workshops all weekend · Six stages · Forty-eight artists · Late sets until four · Workshops all weekend ·

About the festival

Together towards something louder

Echo is a three-day gathering for musicians, producers, makers and the people who turn up for them — built in Jamestown by the people who play there.

About Echo

48

Artists across six stages

30

Workshops, talks and clinics

12 ,000

People through the gate last year

Why come to Echo?

Jamestown, Accra

The old harbour wall, three nights, sound carrying over the water to Korle Gonno.

The main stage lit at dusk with the crowd gathered in front of it

Three reasons

What the weekend is for

01

Leave with something you can play

Thirty workshops and clinics across the weekend — talking drum, live production, mixing for small rooms, writing in Twi and Ga. Every one of them hands-on, every one capped at twenty people.

02

Meet the rooms you have been emailing

Label A&Rs, venue bookers, festival programmers and producers from Accra, Lagos, Abidjan and London, in a yard where nobody has to pretend they are too busy to talk.

03

Play to a crowd that came for this

Twelve thousand people who bought a ticket for three days of music they had mostly never heard. Our open call puts eight of them on a main stage every year.

The programme

Six ways into the weekend

One ticket covers every stage, every exhibition and every workshop with a seat left in it. The late sessions in the fish market take a separate wristband.

A night crowd in front of a lit stage with flame effects

Fri–Sun · 18:00

Main stage

Three headline nights on the harbour wall, doors at six, last set at eleven. Highlife, afrobeats, alté and one brass band nobody expects.

A crowd dancing under a mirror ball in a covered venue

Daily · 12:00

The yard

Daytime sound systems in the shade of the old customs shed. Free with any pass, and the only stage where the selectors take requests.

A drummer in a green and white smock playing at an outdoor gathering

Sat–Sun · 10:00

Drum line

Atumpan, fontomfrom, kpanlogo and borborbor, taught by the players who keep them. Bring your hands; we have the drums.

A gallery hung with large photographic prints and a sculpture

All weekend

Exhibitions

Forty years of Ghanaian record sleeves, sound-system photography from four cities, and a room of instruments you may play.

A speaker with a microphone talking to a seated audience in a small room

Sat–Sun · 11:00

Workshops & talks

Thirty sessions on writing, producing, mixing, touring and getting paid. Capped at twenty people so questions actually get answered.

A DJ working a mixer under coloured light and haze

Fri–Sat · 00:00

Late

Midnight to four in the fish market, amapiano through to Ga cultural house. Separate wristband, strictly eighteen and over.

See the full programme

Who is playing

The lineup, so far

Forty-eight artists across six stages, announced in three waves. Twelve are confirmed; the rest land in September.

A singer photographed under magenta and green stage light

Adjoa Sika

Alté

Friday · Main stage

A guitarist laughing mid-song with a bass slung across him

Kwabena Osei

Highlife guitar

Saturday · Main stage

A rapper performing into a hand-held microphone

Nii Lantey

Drill

Sunday · Main stage

A singer in silver rings photographed against a red ground

Ama Serwaa

Afro-soul

Saturday · The yard

A performer in printed cloth standing against blocks of orange and green

Efua Mensimah

Afrobeats

Sunday · Main stage

A producer in a yellow shirt seated against a blue backdrop

Yaw Fiifi

Producer set

Friday · Late

A vocalist in a red headwrap photographed against a dark ground

Naa Adjeley

Gospel & jazz

Sunday · The yard

A musician with locs in a patterned jacket at a live event

Kojo Anaman

Roots & dub

Saturday · The yard

See every artist

The schedule

Three days, hour by hour

Times firm up in October. Anything marked as capped takes a free place booked on the day, at the workshop room door.

Day 01

27 Nov

16:00 – 17:00

Harbour wall

Gates and the opening drum call

Selorm Agbeko's ensemble walks the length of the harbour wall and opens the weekend the way the town has always been opened.

17:30 – 20:00

The yard

The yard: hiplife takeover

Fiifi Dadzie and four selectors trading records under the customs shed while the sun goes down over Korle Gonno.

20:30 – 23:00

Main stage

Opening night: Adjoa Sika & Abena Owusu

Two of the sharpest writers in Accra, back to back, with a live band assembled for the weekend.

00:00 – 04:00

Fish market

Late: Yaw Fiifi, producer set

The fish market, a separate wristband, and a rig that has no business being that loud. Strictly eighteen and over.

See all three days

What people say

Ask the people who came

Questions

Everything people ask us

If it is not here, the box office answers within a day — hello@echo.com.

Where exactly is the festival?

The Old Harbour Yard, Jamestown, Accra — the old customs yard and the harbour wall behind it, five minutes' walk from the Jamestown lighthouse. The nearest drop-off is High Street; there is no parking on site and the trotro to Korle Bu passes the top of the road every few minutes.

What does a pass actually include?

Every stage, every exhibition and every workshop that still has a place in it, all three days for a weekend pass and one day for a day pass. The late sessions in the fish market are the only thing that is separate, because the room is licensed differently and holds four hundred people.

Can I bring children?

Yes, and under-twelves come free with an adult — the drum line and the exhibitions are built for them as much as for anyone. The site is family-facing until 20:00; after that the main stage stays open but the yard clears out and the late sessions are strictly eighteen and over.

Can I get a refund or pass my ticket on?

Full refunds up to 30 September, half until 31 October, none after that. You can transfer a pass to somebody else free of charge at any time — email the name to tickets@echo.com and we reissue the QR the same day.

How do I get on the bill?

The open call runs from February to April on this site and it is the only route in — no demos by DM, no exceptions. Eight acts come off it every year and at least two of them go on a main stage. We reply to everyone, including the ones we cannot take.

What happens if it rains?

It runs. Late November is dry season on this coast and the yard is under the old customs roof, so the workshops and the exhibitions are covered whatever happens. If lightning stops a stage we hold, we tell you on the site and on the screens, and we make the time up.

The journal

Notes from the yard

How the festival is put together, what it costs, and the music that made us want to.

A large crowd in front of a lit stage

The festival

14 July 2026

How the harbour wall became a stage

Two hundred metres of colonial sea defence, a generator borrowed from a fish freezer, and eleven people who thought it would work once.

Drummers in traditional cloth playing at a cultural event in Accra

Culture

2 July 2026

A short history of the talking drums

Atumpan were how a town was called together, and how it was told what had happened. The tonal language they speak is still taught two streets from the gate.

A pair of hands playing vinyl on turntables

Transparency

18 June 2026

What a ₵420 weekend pass actually pays for

Artist fees, the rig, the licences, the medics, the wristbands and the two skips. Line by line, because we would rather you knew.

Read the journal

27–29 November 2026 · Jamestown

Get tickets.

Weekend passes are ₵420 until the end of September and go up after that. Under-twelves come free with an adult.

Buy a weekend pass Talk to the box office
Day pass ₵180 · Weekend ₵420 · Patron ₵950 · Under-12s free · Day pass ₵180 · Weekend ₵420 · Patron ₵950 · Under-12s free · Day pass ₵180 · Weekend ₵420 · Patron ₵950 · Under-12s free · Day pass ₵180 · Weekend ₵420 · Patron ₵950 · Under-12s free · Day pass ₵180 · Weekend ₵420 · Patron ₵950 · Under-12s free · Day pass ₵180 · Weekend ₵420 · Patron ₵950 · Under-12s free · Day pass ₵180 · Weekend ₵420 · Patron ₵950 · Under-12s free · Day pass ₵180 · Weekend ₵420 · Patron ₵950 · Under-12s free ·