A portrait of the artist in a red dress holding out a chrome microphone
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THE ROAD SO FAR

Six years,

one thing after another.

From five songs cut in a front room to a tour booked before the record was out. Nothing here was a plan; all of it was a consequence.

The road

Six moments that moved it

One per year, and in every case it was a person rather than a plan.

2020

Five songs in a front room

The First Light EP, recorded in Osu on two microphones borrowed from a church, mixed on headphones, and put out with no plan beyond wanting it to exist. It has never been taken down and it still outsells two of the albums.

The grooves of a vinyl record in raking light

2021

A residency nobody came to

One Thursday a month at Bloom, playing to eleven people in February and to a full room by November. Almost every song on the next two records was tried out there first.

2022

Salt & Gold, and a band

The first record made with players rather than by one person and a laptop. Kwabena arranged it, Naa Dedei joined halfway through the sessions, and the horns arrived for two songs and stayed.

A saxophonist playing with the rest of the band behind him in low light

2023

The first stage outside Ghana

Abidjan in March, half the set in a language still being learned, and a crowd that forgave the grammar. Four more francophone dates followed inside the year.

2024

Midnight Trotro, cut live

Four nights at Republic Studios with everybody in the same room and no overdubs. The record that stopped the band being described as a solo project with a backing group.

Two musicians recording a vocal take in a warmly lit studio

2026

Harmattan Skin, and a real tour

Six cities, three countries, and the first run where every date was booked before the record came out. This is the year the arithmetic finally worked.

An orange-lit festival stage seen over the raised arms of a crowd
A black-and-white crowd at a concert under crossing beams of light

Where that leaves us

The six years, counted

210

+

Nights on a stage since 2020

4

Records, all of them still in print

6

Countries the band has played in

36

Thursdays at the Bloom residency

The silhouette of a singer holding a microphone in stage smoke
A portrait of the artist looking up, holding a chrome microphone

In her own words

I did not set out to build any of this. I set out to finish five songs so that a version of them existed somewhere other than in my head, and everything since has been one thing leading to the next one.

What changed it was other people. A room that kept turning up on a Thursday. A drummer who would not let a song be rushed. An engineer who travels with us so that a night in Takoradi sounds like the record. Whatever this is now, none of it is one person's.

Wren

Osu, Accra — February 2026

Meet the band The records
A band on a stage washed in blue light, seen over the heads of the crowd

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Wren