Production
We build the room
Everything the festival needs for three days in November, available to anybody who needs it for one night in March.
The other 362 days
What the crew
does in between
Festival production
Site design, staging, power, sound, light and the whole build schedule. We have put four stages on a public square ten years running with no cancelled set.
From GHS 45,000
One-night concerts
A hall, a hotel lawn or a beach. Full production or just the parts you are missing — most promoters call us for sound and end up handing over the site.
From GHS 12,000
Brand activations
Launches, roadshows and sponsor stages that do not look like sponsor stages. We book the acts too, and we tell you honestly when the fit is wrong.
From GHS 18,000
Artist touring
Accra, Kumasi, Takoradi, Tamale, Ho. Backline, crew, transport and advance for acts who would rather play than negotiate with five venues.
Per date, on request
How it goes
Four steps,
no surprises
01
We walk the site
Before a price. Power, ground, access, neighbours, the wind off the sea and where the trucks can actually turn.
02
A drawing and a number
A site plan, a kit list and one price with nothing left to be confirmed later. Within five working days.
03
The build
Stage and rig first, power second, everything else against a schedule you can see. Sound check happens the day before, not the day of.
04
Show and strike
Our crew stays on it all night and the ground is clear by the following noon. You get the incident log either way.
Highlife
Afrobeats
Gospel
Drill
Palmwine
Hiplife
Fontomfrom
Kpanlogo
Highlife
Afrobeats
Gospel
Drill
Palmwine
Hiplife
Fontomfrom
Kpanlogo
Owned, not sub-hired
What is in
the warehouse
Sound
Two line-array systems to 8,000 capacity, 48 channels of digital desk, full monitor world and a delay tower stack.
Light
Sixty moving heads, LED wash, haze, follow spot, and a console operator who has done this since 2016.
Stage
Layher decking to 12m × 10m, roofed, with wind loading signed off by an engineer before anybody stands on it.
Power
Two 100kVA silenced generators with automatic changeover, distro to every position and a spare that has never been needed.
Video
A 6m × 3.5m LED wall, three cameras and a vision mix — the same rig that films the replays.
Crew
Fourteen full-time and up to two hundred trained casuals, all of them paid the same day rate whoever the client is.
The part nobody
puts on a poster
Two years running, the complaint we heard most was about the field beyond the mixing position — fine for the first thirty metres and thin after that. It is the most boring problem in live sound and the most common.
We fixed it in 2025 with a delay tower stack, time-aligned every afternoon before doors, and it cost about as much as one mid-bill fee. That is the trade this crew makes: the money goes into the parts of a show that only become visible when they are wrong.
Read how we rebuilt it
10
Editions since 2016
40
Acts on the 2026 bill
32
k
Through the gates last year
210
Crew and stewards on site
Early-bird passes
close on 30 September
Weekend passes go up by eighty cedis at the end of September and the Late Room sells out every year before the lineup is even announced.
Confirm your place