Portfolio
Nine hundred events. Here are six of them.
Written up properly — the brief, the thing that nearly went wrong, and what it took to make sure it did not.
Selected work
Six evenings, and what each one actually took
Every event has one problem that decides it. These are ours, and how they were solved.
Two cities, one weekend, four hundred guests
Traditional rites in Kumasi on the Friday, white wedding in Accra on the Saturday, and a bride who did not want to see a supplier on either day. We ran two crews in parallel and moved the décor overnight on the N6.
Calls the couple had to make on the day
An eight-hundred-seat launch with a live broadcast
A product launch at the Accra International Conference Centre with a minister on the bill, three camera positions and a stream to four markets. The minister arrived twenty minutes early; the run order moved and nobody noticed.
Minutes of contingency left in the cue sheet
A six-piece band and a stage turned round in nine minutes
A double bill where the support and the headline shared a stage and neither would share backline. We built a rolling riser plot so the second kit was already miked before the first act finished.
Minutes between the last note and the first
A garden in Aburi with no power and no cover
A hundred and twenty people on a hillside in June. Two generators on separate feeds, a marquee we could raise in forty minutes, and a guest walkway that stayed dry when the rain arrived at seven — which it did.
Minutes to weatherproof the whole site
Three stages and four thousand people in a field
A two-day cultural festival with traditional drumming, a gospel stage and an afrobeats headline. Twenty-two acts, one site, and an accreditation system that had to work for performers who arrived without it.
Acts across two days and three stages
A fiftieth that had to feel nothing like a wedding
Same headcount, same venue type, completely different evening. Late dinner, a DJ instead of a band, a bar that moved twice, and lighting that dropped forty per cent after ten o'clock.
Times the bar moved during the night
Who we work for
Four kinds of client
Couples and families
Weddings, engagements, funerals and the anniversaries in between. About sixty per cent of what we do.
Brands and agencies
Launches, activations and roadshows — often as the production half of somebody else's creative.
Banks, universities and NGOs
Conferences, graduations, awards nights and AGMs, where the run order is the whole job.
Artists and promoters
Tour dates, album launches and festivals. We rig, we mix, and we do not touch the setlist.
Portfolio
A few nights we are proud of
Ninety-odd events a year, and these are the frames we keep coming back to.
Let us begin
Tell us the date. We will take it from there.
A first conversation costs nothing and takes about half an hour. Bring the date, a rough headcount and whatever you have already imagined.
