Colour notes

What fourteen years of walls taught us

Written for people about to spend real money on a room. No product placement — most of what is here would save you from hiring anybody at all.

Brushes and an open tin standing on a dust sheet over a wooden floor

Preparation · 6 min

Why your last paint job failed, and it was not the paint

Nine times in ten a wall that flaked inside two years was sound-looking and unsealed. Here is what a chalky render actually does to an emulsion, how to test for it with a strip of tape, and why the answer costs less than repainting.

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Two rollers and a tin left on a wooden floor beside a stepladder

Exteriors · 4 min

Painting through harmattan, and painting through the rains

Two seasons, two sets of problems: dust that lands in a wet coat and lifts it, and humidity that stops a film curing at all. When to start an exterior in Accra, when to stop, and what to do with the four weeks in between.

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A swatch deck fanned open across a bench

Colour · 5 min

Nobody can choose a colour from a 30mm chip

How our consultant runs a colour meeting: sample boards rather than patches, two viewings a day apart, and the one question that settles most of the arguments — what do you want to be doing in this room at nine in the evening?

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The seasonal letter

One letter a season, and nothing else

What we have been mixing, what has held up on the coast, the two colours we have stopped recommending, and one job explained from survey to handover. No offers, and we have never sold the list.

Colours in these notes

Harmattan

N°2155

GHS 390 · 4L

Gulf of Guinea

N°0550

GHS 490 · 4L

Aburi Green

N°0510

GHS 420 · 4L

Volta Gold

N°2570

GHS 530 · 4L

Osu Blue

N°1040

GHS 600 · 4L

Laterite

N°5560

GHS 560 · 4L

Kakum

N°1000

GHS 450 · 4L

Weija Stone

N°0090

GHS 390 · 4L

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A crimson drawing room finished by the firm

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